Tuesday, January 28, 2014

Dark by Andre Adkins


Your eyes are like beautiful stars at night
But should I compare you to something dark?
You and I do not know, but I just might
For I want to leave a terrible mark.

I am afraid I have started too soon
Saying things I should not say to your face
You are a character from a cartoon
Just like an outcast from the human race.

I know I was not nice to you today
But one more thing has to come from my mouth
You are dis proportioned in every way
And you will always be going far south.

So get out of my sight for heaven’s sake,
Because I don’t want to see something fake.

Monday, January 27, 2014

How United States Copyright Law Works, a satirical poem by Chris W

How United States Copyright Law Works

"Why, look," said the man, "it's almost 2023! And, I, Mr. Lawyer, represent Walt Disney."
"Good to see you, kind sir," the lawyer did say. "And what might I do for you on this fine day?"
"Well, you see," said the other, "I'll have to explain… Steamboat Willie's 'bout to enter the public domain!"
The lawyer jolted back, shocked, what a horrible thing! Why, imagine the cultural good it might bring!

"I understand," he then said, "what you need me to do: take a new bill to Congress and somehow force it through.
"This new bill," he divulged, "will be clever and shrewd, and will certainly get your copyright renewed.
"We'll extend all copyright for another twenty-odd years. Corporations like Disney will need not have fears.
"If we can, with success, undertake this endeavor, you'll be able to profit off Mickey forever!"

The response was, "That's brilliant! Without doubt, I love it! Those criminal lawmakers sure won't be above it!"

Thus Congress was trampled by lawyers and lobbyists, who twisted the law at expense of all hobbyists.
To the lawyers, the P.D. was not quite as critical as money and cash and such things political.
Spineless legislators were all easily swayed, and those who cared about American culture dismayed.
How could people create without a public domain, full of works to be used without lawsuits or pain?

How could nobody see Disney's blatant hypocrisy? They were forcing their way by corrupting democracy!
Snow White, wasn't that story from the public domain? Disney really did have zero right complain.
By using such stories, they made mountains of money, and what they were then doing was not at all funny.
The irony of it all was totally whack: Disney took from the P.D. and never gave back.

The lobbyists came, and they did come in flocks; the case seemed to have opened up Pandora's box.
Walt's cronies weren't lonely, there were others there, too. (Ain't there money to be made off of Rhapsody in Blue?)
Money and votes; weren't they the same thing? Didn't matter, green paper made you practically king.
And thus copyright was extended for some number of years, leaving all those with common sense bursting to tears.

Years passed.

The cycle continued with no end in sight, for money to Disney meant legislative might.
Who'd stand to oppose them in a few more years, eh? With enough of the moolah, they'd always get their way.

They might have realized what they were doing. Nobody else did.

In the end, Steamboat Willie would enter the public domain never,
And good ol' Walt would control U.S. copyright law forever.


Untitled by Evan H


The Broncos beat the Pats.
Welker took Talib to the mats.
The receivers ran open like rats.
Now the Broncos wear the AFC Champions hats.

Seattle defeated San Fran.
Sherman was about to give Crabtree the hand.
He said he was the man.

Like Kaepernick to the fans.

Photograms by Colin T


The photograph above was taken by me in my photography class. The unit was on photograms. A photogram is when different transparent items are placed on light sensitive paper and you expose light onto the paper for just the right amount of time. This produces the negative. To get the positive of the image you have to place the negative on top of the light sensitive paper and expose light on this for just the right amount of time. I am very pleased in the way these pictures turned out. 



The photograph above was one of the first pictures I took in my photograph class. However I did not use a camera. We had to create our own pinhole cameras. A pinhole camera is a box; mine was a shoe box, with a square cut out of one side. In that square we placed a sheet of metal from a soda can. Then we poked a hole into the metal and covered it up with a flap of card board. When we are ready to take the picture we put light sensitive paper into the box across from the hole in the dark room and seal the box up so it is light tight. Then we go out on a sunny day and open the flap of cardboard, exposing the light sensitive paper. Once completed, we bring the pinhole camera into the dark room and develop the light sensitive paper, giving us a negative. To get the positive of the image you have to place the negative on top of the light sensitive paper and expose light on this for just the right amount of time. This picture above took me two hours to make. I am very happy with the way it came out.

Tuesday, January 21, 2014

License to be Free by Caroline Lovett

In dedication to all those students who are getting their driver's license. I wrote this when I was 16 and got my license for the first time.


License to be Free

On my own time, where I
want to go. Just to let
you know, I am on my
own highway, where I
make the rules, no one to tell me
when to leave, no one to tell me
where to go.


Wednesday, January 15, 2014

The Flying Elvis


They wear the colors blue and red
They wear these colors on their head
They represent all of New England with pride
On any given Sunday they never try and hide

If they don't win, we know they're trying
If you say "the pats suck" we know you're lying
I think Wes Welker had some poor planning
He ditched the patriots to go play with Manning

No matter how many players get shipped off to jail
This patriot team always finds a way to prevail
This year they will try to take home the gold
Watching the patriots play will never get old

GO PATS

Wednesday, January 8, 2014

To the fractured human with scars on your wrists by Sierra Estes

How long will you continue this battle?
Will the angry red streaks follow you to old age?
Woven between blue veins and the wrinkles of time
Forever a reminder of younger years
Full of grief and sorrow
And the hatred of losing control
All compressed into ugly lines
Scattered up and down your arms, legs, stomach

Will your grandchildren see these marks?
Their chubby fingers trace the injured skin
As they ask what happened
How do you explain that to a child?
Eyes brimming with innocence and trust
How quickly will their hearts break if you tell them the truth?
Realizing your pain was self-inflicted
And then, how quickly will yours shatter?
Seeing smiles melt off their faces

Don't make it harder for yourself
Fix the fractures while you can
Repair your broken soul
So that love fills every crack
And that their childlike purity
Is not yet lost